Following this weeks lectures, I have been rewatching Wes Anderson films , focusing on character positioning and colour pallets. Almost every scene in each film that I watched (Moonlight Kingdom, Fantastic Mr Fox, Isle of Dogs, and Grand Budapest Hotel) was carefully shot to ensure that characters were either centered, or followed the rule of thirds, with characters or key props positioned to be more appealing to the viewer. Whilst watching Moonlight Kingdom, and drew up some thumbnails of shot composition. Anderson’s colour pallets are also striking, following themes for each scene, location, and character.Wes Anderson’s style of composition will be interesting to experiment with when making my own film in second year.